STAGE REVIEW : Spirited Revival of ‘Blue Leaves’

Pat Harrington fits perfectly into the role of Artie Shaughnessy, the hopeful dreamer of John Guare’s “The House of Blue Leaves,” at the Skylight.

We believe this guy really believes in himself, despite the formidable obstacles on the way from New York zookeeper to famous Hollywood songwriter. And when his hopes curdle at the end of the play, his final desperate gesture is equally credible and surprisingly dignified.

It’s a much more heartfelt and ultimately accomplished performance than that of the last major Artie seen in the area, the too-cerebral Buck Henry at the Pasadena Playhouse in 1987.

But then it’s Marian Mercer who’s the cerebral one in this production, as Artie’s wife Bananas, often portrayed as an out-and-out loony. Though cast aside, Mercer’s Bananas is sharp as a tack. Her scorn is withering, her laugh is wild. Her strength may raise the question of why she doesn’t just leave. Yet her woeful smile partially answers that question: She still loves this guy, or at least her memory of him.

Elaine Giftos is a spirited goad to Artie, and the minor roles are in excellent hands. Gordon Hunt directed.

As designed by Gina Gambill, the play almost could be renamed “The House of Blue Walls.” All that blue is too obvious, but the furnishings are properly shabby. And the uncredited costumes--Bananas’ boots, Bunny’s glitter and the eye-popping psychedelic design of the dress worn by funny Teresa Ganzel, as the visiting movie starlet--add a series of little chortles.

A different cast, led by Jack Riley as Artie, performs the Sunday matinees.

At 1816 1/2 N. Vermont Ave., Fridays through Sundays at 8 p.m., through Nov. 18. $15; (213) 660-8587.