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Beyonce’s Renaissance tour concert film may hit theaters in December

Beyoncé performs onstage during the Renaissance World Tour at NRG Stadium on Sept. 24 in Houston, Texas.
(Kevin Mazur / WireImage for Parkwood)
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Beyonce’s Renaissance World Tour could be coming to the big screen.

According to Variety, a film version of the superstar’s blockbuster concert may be released via AMC Theatres, which is in final talks to distribute it directly. Sources tell the publication that the project includes a behind-the-scenes look at the making of the album and the formation of the tour, as well as sections of the live performances and the long-gestating visual album. It is eyeing a wide release date of Dec. 1.

Rumors of a potential Renaissance film first lit up when the tour kicked off in Stockholm, Sweden, this past May, after a crew member told fans that cameras would be up during Beyonce’s hometown stop: “We’ll be [in Houston] for two days, and we’re gonna be shooting a movie there.” Additionally, Above the Line reported last month that the visual album was shot in secret by artist-filmmaker Nadia Lee Cohen.

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The film was shot during Swift’s record-breaking six-night stand at SoFi Stadium and will open in theaters on Oct. 13.

The news of a Renaissance film follows last month’s announcement that a concert film of Taylor Swift’s Eras tour will be distributed directly to AMC Theatres. That movie — titled “Taylor Swift: The Eras Tour” — was shot during her six-night stand at Inglewood’s SoFi Stadium, and is set for release on Oct. 13.

Beyoncé in a silver body suit, hat and boots singing on a stage surrounded by backup dancers in similar attire
Beyoncé performs onstage during the Renaissance World Tour at SoFi Stadium on Sept. 4 in Inglewood.
(Kevin Mazur / WireImage for Parkwood)

Beyoncé closes her Renaissance tour on Saturday night at Kansas City’s Arrowhead Stadium. The arena jaunt is a high-tech, costume-heavy 2½-hour show, in which the singer performs her 2022 dance-driven album in order, interspersed with older tunes and covers.

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The spectacle also features a cameo by her 11-year-old daughter, Blue Ivy, a vogue showcase with numerous ballroom dancers and challenges for her chrome-covered audiences tied to her songs “Energy” and “Love on Top.” It is expected to gross around $560 million in ticket sales, according to Billboard’s Boxscore.

“Man, can Beyoncé sing,” wrote Times pop music critic Mikael Wood of her Renaissance tour “opener,” a section in which she reprises a selection of her career’s ballads. “I love the flex of opening the show with a vocal showcase like this. It’s like she’s saying: Yes, we’re gonna have a great time tonight, but first let me remind you of what I learned to do before you had any idea who I was.”

“Different kind of physical performance from Bey on this tour,” added staff writer August Brown while live-blogging her three-night stop at Inglewood’s SoFi Stadium.”She’s a magnificent dancer, one of the best in music, but she’s also not afraid to pout and roll around on a pile of mattresses and let her crew contort. She’s having a blast. … We’ve known this since Coachella 2018, but she is simply the best live performer working today.”

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Representatives for AMC Theatres, CAA and Beyonce’s Parkwood Entertainment did not respond to The Times’ request for comment.

Watching Beyoncé at the Renaissance tour is an exercise in ripping open and throwing aside the boxes of ourselves and leaving them strewn among folding fans and silver sequins.

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