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There is something about Blythe Danner’s on-screen essence that is perfect for the gently aged widow she plays in “I’ll See You in My Dreams,” her first leading role in years.
The idea of getting to know the puppeteer responsible for the yellow-feathered sweetness of “Sesame Street’s” Big Bird is a bit scary.
The comedy choir wars are more intense, more absurd and more lowbrow fun than ever in “Pitch Perfect 2.”
In 1984, director Jonathan Demme took a detour from the quirky comedies and intense dramas that were beginning to define him so that he could indulge his fascination with rock ‘n’ rollers.
There is a provocative idea worth chewing on tucked inside the melodramatic zombie-horror of “Maggie” starring Arnold Schwarzenegger and Abigail Breslin.
How bad is it?
Echoes of the hilarious ineptitude of Woody Allen’s “Take the Money and Run” and the historic kookiness of “Forrest Gump” turn up throughout “The 100-Year-Old Man Who Climbed Out the Window and Disappeared,” starring Sweden’s beloved comic actor Robert Gustafsson.
“Welcome to Me,” starring Kristen Wiig, is weirdly off center yet strangely in sync with the times.
Why is the allure of the bad boy so powerful that even some of the most secure of females can’t seem to resist?
With the growing focus on hate crimes, consider checking out the reality-based drama “24 Days,” which details a French family’s agony when their son is kidnapped, days pass and hope dies.
