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2018 Emmy Awards: The complete winners list and all the best behind-the-scenes moments

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And that’s a wrap for the 2018 Emmy Awards. After sitting out a year, winter returned with gusto as “Game of Thrones” reclaimed its drama series award. The other big winners of the night included “Barry,” “The Americans,” limited series winner “The Assassination of Gianni Versace: American Crime Story” and comedy series winner “The Marvelous Mrs. Maisel.” Explore The Times’ complete coverage for more on the evening’s biggest moments, the best quotes from the press room, reports from the after-parties and more.

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Emmys recap: The winners, the hosts and that Teddy Perkins cameo

The scene at the Governors Ball on the L.A. Live event deck after the 70th Primetime Emmy Awards.
(Al Seib / Los Angeles Times)

Now that the awards (and the after-parties) are over, it’s only fitting to recap TV’s biggest night. TV reporter Yvonne Villarreal and TV critics Lorraine Ali and Glenn Whipp join host Mark Olsen to analyze the surprises and disappointments, the performances of hosts Michael Che and Colin Jost, and that unexpected visit from “Atlanta’s” Teddy Perkins.

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Jeff Daniels’ hilarious horse-riding lesson and more Emmy highlights

Jeff Daniels accepts the supporting actor in a limited series or TV movie award for "Godless."
(Brian van der Brug / Los Angeles Times)

Sure, that surprise marriage proposal at Monday’s Emmy awards was far and away the most talked about (and tweeted about) moment of the evening.

But Glenn Weiss’ bold gesture wasn’t the only highlight from the 70th Primetime Emmy Awards. For starters, there were a few memorable lines from hosts Michael Che and Colin Jost’s monologue. Then there were the winners’ speeches, ranging from the powerful (when Rachel Brosnahan encouraged viewers to vote) to the hilarious (when Jeff Daniels encouraged young actors not to lie about their horse-riding abilities while accepting his Emmy for the Netflix western “Godless.”)

The Emmys 2018: The whole baffling night was a surprise

By the way, Jeff, when can we hear the rest of that story?

Relive those Emmy highlights and more in the video above.

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Ratings: Emmy Awards’ TV audience hits new low with 10.2 million viewers

Colin Jost, left, and Michael Che host the 70th Primetime Emmy Awards.
(Brian van der Brug / Los Angeles Times)

The ratings slide for the Emmy Awards that has come with the rise of streaming TV shows continued with Monday’s telecast, which scored its smallest audience in history.

NBC’s live broadcast, hosted by “Saturday Night Live” Weekend Update anchors Colin Jost and Michael Che at the Microsoft Theater in downtown Los Angeles, averaged 10.17 million viewers, down 10.5% from last year’s show, according to Nielsen.

Last year, the Emmys scored 11.4 million viewers on CBS, a touch above the show’s previous all-time low of 11.37 million in 2016, when ABC had the telecast.

The audience levels for the Emmy Awards have taken a hit since 2013, when the telecast scored 17.7 million viewers. The decline has coincided with the proliferation of programming on online streaming services.

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#OscarsSoWhite creator weighs in on #EmmysSoWhite joke

Sterling K. Brown, from left, Kristen Bell, Tituss Burgess, Kate McKinnon, Kenan Thompson, and RuPaul perform at Monday's Emmys ceremony.
(Kevin Winter / Getty Images)

“We solved it”!

That was the sentiment from stars such as Kenan Thompson, Kate McKinnon, Kristen Bell and Titus Burgess at the 70th Primetime Emmy Awards when it came to diversity in Hollywood.

But while there was a whole song and dance about it, literally, at the top of Monday’s show, the actual early Emmy winners portrayed a very different picture.

And Hollywood couldn’t help but notice. After early winners included Henry Winkler, Alex Borstein, Bill Hader, Rachel Brosnahan, Jeff Daniels and Merritt Wever, presenter James Corden commented on the surprising trend: “Let’s get it trending: #EmmysSoWhite,” he said.

(Thankfully, Regina King won lead actress in a limited series for “Seven Second” minutes later.)

However, that didn’t put an end to the question of diversity. Later in the show, co-host Michael Che starred in an entire sketch about Emmy reparations, in which he handed out trophies to black TV actors who had been looked over in past years, such as Jaleel White and Marla Gibbs.

On Tuesday morning, #OscarsSoWhite creator April Reign weighed in on Corden’s joke and the question about true diversity at the Emmys.

“If you can count on one hand the number of people from a particular marginalized community that were on @TheEmmys stage last night, and still have fingers left over? You’re not doing enough,” she tweeted.

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‘Mrs. Maisel’ creator Amy Sherman-Palladino enjoys a victory lap at the revamped Emmy Governors Ball

Daniel Palladino, Amy Sherman-Palladino and Rachel Brosnahan of "The Marvelous Mrs. Maisel" attend the 70th Emmy Awards Governors Ball.
Daniel Palladino, Amy Sherman-Palladino and Rachel Brosnahan of “The Marvelous Mrs. Maisel” attend the 70th Emmy Awards Governors Ball.
(Kevin Winter / Getty Images)

How could anyone miss Amy Sherman-Palladino at the Governors Ball? At the official after-party for the 70th Primetime Emmy Awards, she strode onto the rooftop Event Deck at L.A. Live in Los Angeles in her top hat and fuchsia-lined tailcoat. She’d won that night both for comedy writing and directing, and later ascended the stage when “The Marvelous Mrs. Maisel” captured the award for comedy series.

After admitting she felt “a little overwhelmed,” Sherman-Palladino said she was especially happy to see Alex Borstein win the supporting actress award. She said she’d already figured Rachel Brosnahan, who soon joined the group, would win in the lead actress category.

Themed “Emmys Under the Stars,” the ball featured hundreds of lights suspended overhead that continually changed colors. In the center of the venue, an orchestra played on a revolving platform, while a singer performed on the top level.

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Henry Winkler, ‘Game of Thrones’ Emmy wins feted at HBO after-party

Henry Winkler attends HBO's post-Emmy Awards reception at the Pacific Design Center.
(Jesse Grant / Getty Images)

A crowd gathered around Henry Winkler at the HBO reception following the 70th Primetime Emmy Awards. Having won an Emmy for his supporting role in the comedy series “Barry,” he smiled broadly as he shook hands with all those who came by.

So how did it feel to get a standing ovation?

“I was only kind of present,” he said, “but I’ll tell you something. I’m very thrilled. I’m so happy. I’ve been nominated a lot and I never got out of my chair. Tonight I stood up and got out of my chair. Then on Wednesday, we go back to work. So that’s an award in itself.”

Considering that actors in “Barry” and “Westworld” won awards and “Game of Thrones” took the honor for outstanding drama series, a jubilant mood prevailed at this party.

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The 2018 Emmys: A complete list of winners

(Allen J. Schaben / Los Angeles Times)
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Is there too much TV? We asked some of your favorite stars of the small screen

Issa Rae, Trevor Noah, Milo Ventimiglia and other stars weigh in on the gold carpet at the Emmys, and the feeling is, the more, the merrier.

If Monday’s Primetime Emmy Awards proved one thing, it’s that there’s a lot of television out there that you 1) have never seen or 2) never even knew about.

This new golden age of television — where the glut of TV shows requires a spreadsheet to wade through — is showing no signs of slowing down. But is that a bad thing?

The Times polled some of TV’s elite on the Emmys gold carpet before the big show to get their take.

“To me that’s like saying there are too many books, says “Insecure” star Issa Rae. Of course, she admits it’s hard to keep up.

But hey, as Ann Dowd suggests: “Take a deep breath, and choose.”

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Governors Ball draws Anthony Anderson and John Legend, but most guests call it an early evening

Anthony Anderson and Cedric the Entertainer attend the 70th Emmy Awards Governors Ball.
(Alberto E. Rodriguez / Getty Images)

After the Emmys ceremony, winners, nominees and attendees ascended sets of blue-carpeted stairs to the Governors Ball, the official after-party at L.A. Live.

Although this year’s theme was “Under the Stars,” cloudy skies prevented attendees from catching a glimpse of real ones. They were however dazzled by a twinkling sea of more than 28,000 LED lights suspended from the ceiling of the rooftop.

Instead of the party’s typical sit-down dinner, guests were treated to a mix and mingle soiree with small bites including beef sliders, truffle fries and hazelnut chocolate feuilletine, and of course plenty of Champagne and wine.

A rotating stage that rose to the ceiling featured singers and dancers in sparkling attire and a live band playing jazzy-funk versions of hit songs like Ed Sheeran’s “Shape of You,” or Cardi B’s summer jam “I Like It” (which also featured an energetic tap dance routine).

Inside, EGOT winner John Legend and wife Chrissy Teigen were all smiles as they chopped it up with late-night TV host Jimmy Kimmel across a long white table. Sporting one of his signature hats and a dapper suit, Cedric the Entertainer chatted with “black-ish” actor Anthony Anderson near the stage. “Black-ish” creator Kenya Barris escorted his wife Rainbow out of the indoor area, lifting her voluminous golden gown just enough so that she wouldn’t trip.

Outside, Emmy winners stopped by a station dedicated to engraving their statues. Others took selfies with a life-size statuette or got a quick makeup touch-up at a L’Oreal booth.

After making history by winning Emmys for both her writing and directing the series pilot of “The Marvelous Mrs. Maisel” creator Amy Sherman-Palladino was all smiles in her black top hat as she took pictures with her award. And in their gowns and tuxedos, some guests also took part in the unglamourous task of waiting in line for the portable restrooms.

But around 10:30 pm, the lavish party had mainly cleared out, despite the blasting music and copious food and drinks. It was a Monday night after all.

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Analysis: ‘We solved it’? Why Emmys’ 2018 ceremony was as muddled as the current state of peak TV

Kate McKinnon, Tituss Burgess, Kristen Bell, and Kenan Thompson during the show at the 70th Primetime Emmy Awards.
(Brian van der Brug / Los Angeles Times)

The 70th Primetime Emmy Awards opened on what seemed to be a confident voice.

“We Solved It!” sang Kristen Bell, Sterling K. Brown, Tituss Burgess, Kate McKinnon and Kenan Thompson in a satirical musical number celebrating steps the television industry has made in diversifying its very white, very male ranks. RuPaul sashayed across the stage in red heels. Ricky Martin salsa danced.

In their opening monologue at the Microsoft Theater in downtown Los Angeles, hosts Colin Jost and Michael Che continued the diversity theme that has become so much a part of recent awards shows. When mentioning nominated show “black-ish,” Che said, “black-ish is also how I’ve been asked to behave tonight.” And they called Hulu’s “The Handmaid’s Tale” — one of the most politically prescient nominated shows of the night — “‘Roots’ for white women.”

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See Donald Glover, Stephen Colbert and more after-party photos from the Governors Ball

The stars were out and ready to celebrate Monday after the 70th Primetime Emmy Awards. Many made the trek from the Microsoft Theater to the L.A. Live Event Deck immediately following the ceremony to get into the Governors Ball — the official Emmys after-party.

The Times has an inside look at the scene, including photos of Donald Glover, Stephen Colbert, Tiffany Haddish and even Glenn Weiss and his bride-to-be.

Check out the full gallery here.

Donald Glover at the Governors Ball on the L.A. LIVE Event Deck after the 70th Primetime Emmy Awards.
(Al Seib / Los Angeles Times)
Stephen Colbert at the Governors Ball on the L.A. LIVE Event Deck after the 70th Primetime Emmy Awards.
(Al Seib / Los Angeles Times)
Emmy winner Tiffany Haddish waits to have her Emmy engraved at the Governors Ball.
(Al Seib / Los Angeles Times)
Hollywood's new favorite power couple, Glenn Weiss and Jan Svendsen, stick close together at the Governors Ball.
(Al Seib / Los Angeles Times)
Regina King makes an entrance at the Governors Ball.
(Al Seib / Los Angeles Times)
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‘The Marvelous Mrs. Maisel’ creator Amy Sherman-Palladino makes Emmy history

Amy Sherman-Palladino won the prizes for both writing and directing the pilot episode of 'The Marvelous Mrs. Maisel.'
(Brian van der Brug / Los Angeles Times)

“This is very, very new — I feel like the new kid at the party,” said Rachel Brosnahan, who had every reason to be shocked and elated at the turn of events for her comedy series “The Marvelous Mrs. Maisel.”

Brosnahan spoke backstage after accepting the Emmy for her performance as Midge Maisel, an immaculately coiffed, fast-talking Jewish housewife in midcentury Manhattan who stumbles into a career in comedy in the wake of her marriage’s demise.

In all ways, Monday was a marvelous night for Amazon.

The show picked up five awards at the 70th Primetime Emmy Awards, dominating the comedy categories and beating out critical favorites such as “Atlanta” and “Barry.”

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Emmy fashion trends: TV mom and daughter Tracee Ellis Ross and Yara Shahidi go bold with shades of pink

Tracee Ellis Ross arriving at the 70th Primetime Emmy Awards.
(Marcus Yam / Los Angeles Times)

Actresses Tracee Ellis Ross and Yara Shahidi, who portray on-screen mother and daughter on ABC’s “black-ish,” appeared to have also shared style genes at the Emmys on Monday.

Both arrived at the Microsoft Theater for the 70th Primetime Emmy Awards in unconventional pink dresses as well as daring makeup that entailed using lipstick on their eyes and cheeks.

Shahidi, who just started her freshman year at Harvard, didn’t have much time to pick a gown for the big Hollywood event. Her glam team, including fashion stylist Jason Bolden and hairstylist Nai’vasha Johnson, flirted with the idea of showing a bit of her shoulders. Shahidi, who stars in the “black-ish” spinoff “grown-ish” on Freeform, selected a halter dress from Gucci that was accented with crystals along the neckline and a whimsical flower applique at the frock’s center.

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Review: ‘Weekend Update’ meets Hollywood in oddly downbeat Emmy Awards

Hosts Colin Jost and Michael Che during the show at the 70th Primetime Emmy Awards.
(Brian van der Brug / Los Angeles Times)

And so we have put to bed the 70th running of the Emmy Awards, that night when the people of television go on to television to honor the people of television — some people of television anyway.

The broadcast, hosted by “Saturday Night Live’s” “Weekend Update” co-anchors Michael Che and Colin Jost, and produced by “SNL” creator Lorne Michaels, aired on a Monday, unusually, because NBC, whose turn it was to broadcast the ceremony, had football on Sunday.

Here are the questions a reviewer must ask of any modern awards show: Did it run on time? In running on time, was it cruel to the people it was supposedly made to celebrate? Was whatever was roiling the news, from outside the industry or within it, or from both at once, addressed seriously, whimsically, ironically, facetiously or embarrassingly, or not at all? Was the host or hosts funny? Did that crazy thing that happened make it all worthwhile?

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Netflix honored to tie for most Emmy wins ‘with our friends at HBO’

Emmy winner Regina King and Netflix Vice President of Original Series Cindy Holland attend a pre-Emmy party Saturday.
(Emma McIntyre / Getty Images for Netflix)

Although it wasn’t a clear victory over HBO, Netflix was happy enough to tie the pay cable network for most wins.

The streaming service issued a statement Monday night celebrating its 23 wins and referring to HBO as “our friends” despite their years of competing for talent, eyeballs and, yes, awards.

“Tonight’s recognition is a tribute to the creativity and talent of thousands of artists and we are thrilled to see their work awarded by the Academy,” said Cindy Holland, Netflix’s vice president of original series. “We are honored to share this night with our friends at HBO, who have paved the way for years by setting the highest possible standard.”

Monday’s draw between the two competitors comes after Netflix squeezed past HBO to lead the 2018 Emmy nominations. Netflix grabbed 112, while HBO drew 108.

Netflix’s 23 wins were up three from last year’s total. HBO, meanwhile, was down six from the 2017 Emmys, when it picked up 29 trophies.

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Emmys fashion trends: Pants and pantsuits rule the arrivals gold carpet

Leslie Jones arrives at the 70th Primetime Emmy Awards.
(Marcus Yam / Los Angeles Times)

Issa Rae, Mary Steenburgen and Leslie Jones formed their own pantsuit nation at Monday’s Emmys in Los Angeles.

The actresses stepped onto the gold carpet at the Microsoft Theater for the 70th Primetime Emmy Awards in pants-based ensembles that dazzled with thousands of crystals and shimmered with a metallic sheen.

Nominated for supporting actress in a comedy series for “Saturday Night Live,” Jones stood out from the crowd in a glitzy iridescent suit by Christian Siriano. The look was accessorized with iridescent drop earrings and a big smile on the gold carpet.

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This year’s unpredictable Emmys delivered plenty of surprises (and snubs)

Claire Foy won the award for lead actress in a drama series, beating out last year's winner, Elisabeth Moss.
(Brian van der Brug / Los Angeles Times)

The Emmy Awards are often derided for being predictable, but with this year’s baffling ceremony, it was shocking when an expected winner actually made it to the podium.

“This wasn’t supposed to happen,” Claire Foy, lead actress in a drama winner for “The Crown,” said during her speech, summing up the evening’s vibe.

Foy winning, and not Elisabeth Moss (“The Handmaid’s Tale”) or Sandra Oh (“Killing Eve”)? That wasn’t supposed to happen. A visibly shocked Regina King (“Seven Seconds”) earning another Emmy, this time for lead actress in a limited series or movie? Didn’t Laura Dern have that honor locked for “The Tale”?

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Matthew Rhys reflects on the ‘terrifying’ experience of giving an Emmy acceptance speech

Matthew Rhys backstage after winning the Emmy for lead actor in a drama series for "The Americans."
(Allen J. Schaben / Los Angeles Times)

What was it like being part of a show with an arc “bigger than Noah’s”?

Matthew Rhys, who picked up his first Emmy for his role as a Russian spy on FX’s “The Americans,” thought back on the series, which said farewell in May after six seasons.

“The dimensions that every character had in that show was tenfold, and I’ll miss the challenge of that,” Rhys said.

But perhaps the role was less challenging than the sheer terror of giving an Emmys acceptance speech. Rhys jokingly compared the experience to a nightmare.

“Everything you’ve dreamed of onstage, playing Hamlet and you don’t know the words...you become a babbling, bumbling idiot,” he said.”Nobody ever sees the giant jumbotron flashing red, going stop, stop — it is terrifying.”

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‘Marvelous Mrs. Maisel’ creator Amy Sherman-Palladino welcomes Emmy love (and free booze) with open arms

"The Marvelous Mrs. Maisel" team celebrates their multiple Emmy wins Monday.
(Allen J. Schaben / Los Angeles Times)

“The Marvelous Mrs. Maisel,” the Amazon comedy about a 1950s housewife who finds refuge on stage, picked up five Emmys on Monday including for comedy series, lead actress in a comedy and supporting actress in a comedy. (And that was on top of the three awards the show picked up at the Creative Arts Emmys over the weekend.)

Being a top winner for the night was just “delightful icing” (specifically buttercream), the show’s creator Amy Sherman-Palladino said backstage in the Emmys press room.

“We’ve been very fortunate to have a stable of actors who are not only incredibly… kind, generous actors, they take care of each other. They want the best for everyone’s performance,” Sherman-Palladino said. “When you get into a situation like that, everybody’s so tight, it’s like it’s one in a million.”

“The statues are wonderful. The free booze I’m going to drink a lot of is terrific, but the work itself is the true reward,” she continued. “That’s what you can hope for when you’re a thousand years old.”

Standing with the show’s cast members and creative team including Emmy winner Rachel Brosnahan, Michael Zegen and husband and creative partner Daniel Palladino, Sherman-Palladino discussed the parallels between women in the 1950s and today.

“It was an interesting fluke; at the time ‘Maisel’ came out, we were taking some trolls down. I’m glad it’s a character that still resonates,” Sherman-Palladino said. “Even though it’s still 1959, women can look at her struggle… a lot of those problems still exist and that just makes us still relevant.”

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Amazon is marvelous as ‘Maisel’ takes top comedy Emmy prize, the first for a streaming service

Creator Amy Sherman-Palladino holds Emmy Awards for writing and directing, before her show took home the prize for comedy series.
(Allen J. Schaben / Los Angeles Times)

A year after Hulu’s “The Handmaid’s Tale” became the first original content from a streaming service to win the top drama prize at the Emmy Awards, Amazon’s “The Marvelous Mrs. Maisel” scored the Emmy for comedy series.

It was a banner year for the Amazon comedy created by Amy Sherman-Palladino, who shares executive-producing duties with husband Daniel Palladino.

Nominated for 14 Emmy Awards, the series about a housewife turned stand-up comic in 1958 New York City took home eight awards total between last week’s Creative Arts Emmys and Monday’s ceremony.

The success of “Maisel” seems to signal a new level of legitimacy for streaming services among the elite awards bodies.

And though Netflix didn’t score the showiest wins Monday, the streaming giant still received the most Emmy nominations overall, with 112, to HBO’s 108.

Even though the main prizes continue to elude them, Netflix did go home with the most wins of any network Monday night with seven. HBO followed with six, and Amazon and FX each took home five apiece. ABC, NBC and VH1 each won a single award.

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RuPaul celebrates ‘Drag Race’ win at the Emmys: ‘Our show adds a little relief for the outsider’

RuPaul speaking backstage at the Emmys after the first reality competition win for "RuPaul's Drag Race."
(Allen J. Schaben / Los Angeles Times)

Dressed in a white tuxedo emblazoned with the Statue of Liberty, a fabulous RuPaul Charles was ecstatic after snagging the first Emmy win over the 10 season run of “RuPaul’s Drag Race” in the reality competition category. Backstage in the Emmys press room, the entertainer spoke about the wider message of the series.

“We’re living in a country that’s very divided right now,” Charles said. “Our show adds a little relief for the outsider. We celebrate people who dance outside the box...those stories need to be told.”

Surrounded by about 20 of his creative staff on the show, RuPaul said it’s the intersection of entertainment and touching stories on “Drag Race” that helps it resonate with audiences.

“We started out this show to celebrate the art of drag, and in doing so, we brought along a bunch of kids who had varied backgrounds,” Charles said. “These kids bring their courage and their stories, and that’s where the heart is.”

Charles also took time to offer up some advice to his younger self.

“Young RuPaul, don’t take life too seriously. It’s important for you to understand that this is a gift,” he said. “Don’t co-opt certain negative ideas that other people have,” he said. “Pay no attention to all the noise. Follow your heart, kiddo, and you’re going to be just fine. You’re going to be snatching trophies, hun!”

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‘Game of Thrones’ team explains delayed final season: ‘It’s the biggest thing we’ve ever done’

The cast and producers of "Game of Thrones" backstage after winning the drama series Emmy.
(Allen J. Schaben / Los Angeles Times)

A partial cast of HBO’s hit “Game of Thrones” (including stars Kit Harington, Emilia Clarke, Nikolaj Coster-Waldau, Gwendoline Christie, Nathalie Emmanuel, Isaac Hempstead Wright, Liam Cunningham and Jacob Anderson), along with creator George R.R. Martin and showrunners David Benioff and D.B. Weiss arrived backstage to the Emmys press room fresh off their third win for outstanding drama series.

Clarke and Harington were singled out to be asked how the show has changed their lives.

“I met my wife on this show, so in that way, it gave me my future family and my life from here on in,” said Harington, who wed former costar Rose Leslie in June. “That’s the main thing it did for me. It’s changed it completely. You could not ask for a better job to take you through your 20s than to be an actor on ‘Game of Thrones.’ ”

“Yeah, really similar, apart for the wife bit,” said Clarke. “It’s given me my entire career. It’s given me my entire life as we know it. It’s changed absolutely everything.”

The producers were asked what factor they think contributed most to the show’s stratospheric success.

“Westeros doesn’t belong to anyone,” said Weiss. “Nobody is personally connected to it, and that means that everybody can be equally connected to it. And I think that that touches on George’s genius. He took all of world history, condensed it into his world, and I think it’s a mirror image everybody can see themselves and their people and their history [in].”

They were also asked whether they felt the same agony that audiences feel in waiting for increasingly shorter seasons to premiere after longer stretches of time.

“The final season is taking a long time because it’s the biggest thing we’ve ever done,” said Benioff. “Even though it’s six episodes, it was nearly a full year going out there and shooting.”

“No one’s gone on vacation, no one’s slacking off,” he added. “It’s [bigger] than anything we’ve ever attempted before and it’s taking a really ... long time.”

When asked whether he thought the show changed television as a whole, Martin said it at least changed science fiction and fantasy television, making the niche genre “equal to any genre.”

“They’re wrapping [‘Game of Thrones’], but we do have five prequels in various stages of development,” he said. “So we’re not done with Westeros yet.”

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For Emmy winner Ryan Murphy, the themes in ‘Assassination of Gianni Versace’ are ‘as modern as ever’

Produced by Ryan Murphy, FX’s “The Assassination of Gianni Versace: American Crime Story” is far more than a narrative about the 1997 murder of the Italian fashion designer by serial killer Andrew Cunanan. It’s also a dramatic window into what it was like to be gay in America in the ’90s.

Which may be why the show, which starred Edgar Ramirez as Versace and Darren Criss as Cunanan, won the Emmy for limited series on Monday night and Murphy received directing honors in the category.

Backstage, the cast and its director crowded onto the press room stage for what might have been the evening’s fastest group interview. Murphy was to-the-point but poignant.

“It was a story I was passionate about very early on,” he said. “I wanted to tell the story. I was in L.A. five years when Andrew Cunanan started his spree. I felt it was a story that needed to be told. The [themes] are as modern as ever.”

Later, he echoed what he’d spoken about when accepting his award at the podium earlier that evening.

“I was happy to make a political statement. One in four LGBT Americans will be the victim of a hate crime, which is heinous,” he said, adding later that “the idea that I get to tell this story is important to me.”

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HBO ties Netflix for most Emmy wins, 23, on the strength of ‘Game of Thrones’

The cast and crew of "Game of Thrones" onstage accepting the award for drama series.
(Brian van der Brug / Los Angeles Times)

It was a nail-biter until the last award was won.

HBO’s “Game of Thrones” and Amazon Prime Video’s “The Marvelous Mrs. Maisel” captured the top honors in drama and comedy at the 70th Primetime Emmy Awards, while a tie between HBO and Netflix for most wins demonstrated g just how splintered — and wide open — the television landscape has become in the era of streaming services.

When the Emmy nominations were announced in July, Netflix seemed the big winner, dethroning HBO, television’s long-reigning tastemaker, with 112 nominations compared to 108. It marked the first time in 17 years that the premium network had fallen short in the tally for TV excellence.

But redemption for HBO came Monday night during the three-hour ceremony televised by NBC. With wins for “Game of Thrones,” “Westworld” and “Barry” among others, HBO came away with 23 Emmys, as did Netflix, which picked up trophies in acting categories for “Godless” and British monarchy drama “The Crown.”

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Fashion designers colored outside the lines on the Emmys gold carpet

Allison Janney, from left, Regina King, Tracee Ellis Ross and Tatiana Maslany at Monday's Emmy Awards.
(Marcus Yam, second from right, and Allen J. Schaben / Los Angeles Times)

Maybe it was an unconscious effort to beat the Monday night blues, but the most noticeable trend on the 70th Emmy Awards red — well, make that gold — carpet was an emphasis on bright, bold and otherwise unusual (at least for an awards show) colors ranging from Dakota Fanning’s jade-green pleated chiffon crossover Dior dress with a tied back to Tracee Ellis Ross’ voluminous fuchsia Valentino gown.

Other head-turners in candy-colored clothes were Regina King in a curve-hugging chartreuse strapless gown with a graceful arc of fabric across the breastbone; Tatiana Maslany in a custom lime green and black jumpsuit; and Leslie Jones in a custom iridescent pantsuit that seemed to waver between silver and pink depending on the light.

Plus, a noticeable number of women wore pants at this year’s Emmy Awards arrivals.

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Emmy winner Regina King explains why she was sure she wasn’t going to win

Regina King after she won her Emmy on Monday night.
(Allen J. Schaben / Los Angeles Times)

Regina King arrived backstage at the Emmys press room with Miles Davis’ “Kind of Blue” album playing in her head as the soundtrack to her victory.

“I’m feeling kind of blue,” she said. “In such a good way in my chartreuse.”

In fact, that show-stopping chartreuse gown was blemished with an almost imperceptible red stain, the result of her lipstick dropping onto her lap just before the nominees in her category were announced. (King won the Emmy for lead actress in a limited series or movie for her work in “Seven Seconds.”)

“I was going in my purse to get my phone to Google something,” she said. “Not telling you what I was Googling — and my lipstick popped out my purse and landed in my lap like the universe was [saying], ‘Get off your damn phone.’”

Her agent, Dar Rollins, suggested that she bring her purse up to cover the spot if she were to win. “I was like, ‘I’m not going to win.’ And he was just saying to me, ‘I told you, I told you.’ I’m still … my heart is giggling still right now.”

King was asked whether, in her experience as both an actress and a budding director, she felt we’ve reached a turning point in diversity. Her answer skirted the question.

“I’m going to be 100% honest … I do feel a lot of times that we’re so divided as a country ... things aren’t always in black and white, and I am guilty of that a lot of times as well,” she said. “I think that probably played a big part in my assumption that the chances of me winning were so small. Also looking at the numbers of different people in the category, the numbers do definitely weigh larger on the white population.

“This is the Television Academy, an academy of my peers,” she continued. “And my peers don’t just have the same skin color as me and they’re not just only interested in the things that represent what they look like. They’re interested in art and storytelling. and they’re interested in seeing things from different perspectives.”

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Jeff Daniels reveals the important acting advice he got from Meryl Streep

Jeff Daniels won the Emmy for supporting actor in a limited series for "Godless."
(Allen J. Schaben / Los Angeles Times)

Sixty-three-year old actor Jeff Daniels used his time backstage at the Emmys press room to give a mini-lesson on the craft of acting.

The two-time Emmy winner scored an award for supporting actor in a limited series for his role as a scripture-spouting villain in Netflix’s feminist western “Godless.” He was also nominated this year for lead actor in a limited series for Hulu’s “The Looming Tower.”

“You don’t want to get caught going for the joke in a comedy. In a drama, you look for the humor. It’s kind of basic,” he said. “Also Meryl [Streep] taught me this — I leave a lot to chance now … you just get the basic idea of what this guy is thinking and then jump off the cliff and start flapping your arms.”

With a career spanning nearly 40 years, Daniels reflected on his versatility playing dramatic roles including those in “Godless” and “The Looming Tower” and others like airhead Harry Dunne in 1994’s “Dumb and Dumber.”

“You don’t just act stupid or be dumb, it’s got to be specific, you start thinking like them,” Daniels said. “And how soon can you forget about the camera. You learn all the mechanical techniques and then you put them in the back of your mind and try not to think about them.”

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Here are more photos of the couple who got engaged at the Emmys to prove love isn’t dead

Glenn Weiss and Jan Svendsen backstage at the Emmys after his surprise proposal.
(Allen J. Schaben / Los Angeles Times)

Sure, a bunch of people won Emmy awards Monday night, but the evening’s real winners were Glenn Weiss and his girlfriend, Jan Svendsen.

The couple stole the show when Weiss won the Emmy for directing “The Oscars” and used his time at the podium to propose to Svendsen. (Spoiler alert: She said yes.)

And that romantic proposal in front of millions of viewers was just the beginning of their romance tour.

Check out a few more behind-the-scenes photos of the happy couple to warm your icy cold heart.

The happy couple backstage.
(Allen J. Schaben / Los Angeles Times)
Weiss and Svendsen shared a kiss backstage.
(Allen J. Schaben / Los Angeles Times)
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Backstage at the Emmys as the first couple, Glenn Weiss and Jan Svendsen, met the press

Glenn Weiss reenacts his proposal to Jan Svendsen backstage at the Emmys.
(Nina Prommer / EPA/Shutterstock)

Amid an auditorium filled with power couples and A-list celebrities at the Emmys on Monday night, the “It couple” of the evening might just be Glenn Weiss and his new fiancée, Jan Svendsen.

Accepting his award for directing a variety special (this year’s Oscars), Weiss proposed onstage to a shocked Svendsen. She made her way to the podium, her hands visibly shaking as he placed his recently deceased mother’s wedding ring on her finger.

“It’s not a diamond ring; it’s my mom’s wedding ring — it’s more valuable than the Hope diamond,” he told journalists backstage. “And walking down the red carpet like nothing’s happening with this in my pocket was nerve-wracking. But now, it’s where it belongs.”

Which sent an “awwww” rippling through the press room.

Weiss and Svendsen met in 2001, he said, in New York at the Tonys. Svendsen had worked for the Broadway League and had been chief marketing officer for the Tonys, she said.

On Monday, no one, Weiss said, had any idea he was planning to propose except his father.

“I had no suspicions whatsoever,” Svendsen said. “I was just hoping he’d dedicate the award to his mother — and he did, and then some. I’m just still processing this.”

How did she get his mother to approve of her, one journalist asked?

“Oh, that was never a problem,” Svendsen said. “I fell in love with her the first time I met her.”

“My mom passed away two weeks ago and it’s been a lot of emotion,” Weiss said, soon adding, “It feels bittersweet but really, really nice.”

Was this always Weiss’ plan, to propose in front of millions of people during a televised awards show?

“Um, nooo?” he said. “You can’t plan this … it’s been an interesting couple of weeks in my life, and it became a thought, and the thought picked up steam as we got here. The timing just lined up nicely, and it was a really magical moment.”

Then he turned to Svendsen : “Thank you for saying yes.”

Then the couple continued on with their night, which will later include a celebratory stop at In-N-Out Burger (“our staple after award shows,” Weiss had said). And the room erupted in another round of “awwwww.”

Glenn Weiss used his time onstage, accepting the variety special directing award for this year’s Oscars, to propose.

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Matt Smith and Claire Foy of ‘The Crown’ stay close at the Emmys

Matt Smith and Claire Foy during the 70th Primetime Emmy Awards in Los Angeles.
(Brian van der Brug / Los Angeles Times)

Not long after taking the stage to accept her Emmy for lead actress in a drama, “The Crown’s” Claire Foy made her way through the lobby alongside co-star Matt Smith. As fans beseeched Foy for a selfie as they passed, Smith stood by his castmate, who portrays Queen Elizabeth II on the Netflix drama, just as his character — Prince Philip — might.

“That was fantastic to see her up there,” Smith, who was also a nominee tonight, told The Times. “She’s so deserving.”

Foy’s win marks a celebratory end to her run as the royal monarch. The actress finished her stint as the character with the show’s second season. Olivia Colman will take over the role when the drama returns for its third season.

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‘Game of Thrones’ wins for outstanding drama series

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‘The Marvelous Mrs. Maisel’ wins for outstanding comedy series

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‘RuPaul’s Drag Race’ takes home first Emmy for reality competition program

Ross Mathews, from left, RuPaul Charles, Michelle Visage and Carson Kressley arrive at the Emmy Awards.
(Jordan Strauss / Associated Press)

“RuPaul’s Drag Race”: Shante, you stay.

The beloved VH1 series took home its first Emmy Award for reality competition program Monday night, triumphing over a fierce field of competition to snatch the crown.

It was only the second nomination for the series, which aired its 10th season earlier this year.

On the other hand, host RuPaul Charles has been victorious each year he’s been nominated for reality competition program host, beginning in 2016 and including earlier this month.

Charles accepted the award “on behalf of the 140 drag queens we have released into the wild.”

“Thank you to the academy,” he added. “This is so lovely. We are so happy to present this show.”

The double win is the first time a series has won reality competition program and reality competition program host in the same year.

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‘The Assassination of Gianni Versace: American Crime Story’ wins for outstanding limited series

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‘Last Week Tonight With John Oliver’ wins for outstanding variety talk series

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‘Saturday Night Live’ wins for outstanding variety sketch series

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‘RuPaul’s Drag Race’ wins for outstanding reality-competition program

The 2018 Emmy winners for outstanding reality-competition program are Rupaul, Tim Palazzola, Fenton Bailey, Randy Barbato, Tom Campbell, Mandy Salangsang, Steven Corfe, Bruce McCoy, Michele Mills, Jacqueline Wilson, Thairin Smothers and Pamela Post for “RuPaul’s Drag Race.”

The other nominees included:

View the complete list of winners and nominees >>

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Here’s what was bleeped from Thandie Newton’s Emmys speech

Thandie Newton onstage at the 70th Primetime Emmy Awards.
(Brian van der Brug / Los Angeles Times)

Thandie Newton delivered an emotional speech Monday night when she received the Emmy for supporting actress in a drama.

However, not all of what the “Westworld” actress had to say was fit for print, or in this case, for broadcast television. (Don’t blame Newton, she’s not used to having to deal with censors now that she works for HBO.)

So what got bleeped from her speech? Newton saying, “I’m so [F-word] blessed.”

Among the other highlights? Thanking her (female) God and wishing her daughter a happy birthday.

Newton takes the baton from Elisabeth Moss, who also got a visit from the censor fairy last year when she won lead actress in a drama series for “The Handmaid’s Tale.”

This was Newton’s second nomination and first win for the role.

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Peter Dinklage discusses the end of ‘Game of Thrones’: ‘It was definitely hard to say goodbye’

Peter Dinklage holds his Emmy for supporting actor in a drama series at the 70th Primetime Emmy Awards.
(Allen J. Schaben / Los Angeles Times)

Peter Dinklage arrived backstage to the press room, setting his Emmy down by his feet as he answered journalists’ questions.

He was asked about the rumor that he didn’t originally want the role of Tyrion in HBO’s “Game of Thrones” for which he won his third Emmy.

“Where’d you hear that?” he said. “That’s nonsense. How did that rumor get started?”

He admitted that he’d been concerned about the genre, particularly because he hadn’t read the books and wasn’t yet familiar with the “complexity of Tyrion.”

“Many times people my size weren’t complicated enough for me to be interested in doing it,” he said. “But they relieved my concerns very quickly.”

Dinklage revealed that his last day on the “Game of Thrones” set was back in July and that it was “very sad.”

“This is not only a great TV show to be a part of, but it was an enormous family to be a part of,” he said. “And I’m sure you’ve heard that before from actors, but in this case, I was far from home. I live in N.Y. and we shot the show over in Europe so many times I had to stay there; I wasn’t able to go home on the weekends so I really developed deep roots in the community, deep roots in Ireland and some of the other countries we shot in. It was definitely hard to say goodbye because I wasn’t just saying goodbye to the show, I was saying goodbye to a life over there.”

“How do you top this?” a journalist asked.

“How do I top ‘Game of Thrones?’ Or winning an Emmy? Or everything?” Dinklage responded. “You just keep searching, hoping that the next writer you come across is equally as talented as [showrunners] David Benioff and Dan Weiss.”

“I absolutely adored this character and the stories we were telling,” he added. “It’s just so beautiful when other people feel the same way you do.”

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#EmmysSoWhite joke from James Corden prompts nervous laughter

James Corden presents at the 70th Primetime Emmy Awards.
(Brian van der Brug / Los Angeles Times)

James Corden kept everyone on their toes Monday night when he presented at the 70th Primetime Emmy Awards.

After Betty White delivered one of the most heartfelt moments of the evening, Corden set a completely new tone when he took the mic.

He joked that it was the 96-year-old White who had broken up the scuffle that transpired Sunday night between Tom Arnold and Mark Burnett.

And then Corden went further into cringe-laughter territory with a joke about #EmmysSoWhite after all of the early acting wins of the night went to white actors and actresses.

(Thankfully, shortly after Corden’s crack, Regina King won lead actress in a limited series or movie for “Seven Seconds.”)

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Matthew Rhys wins for outstanding lead actor in a drama series

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Forget the traditional tux: Men step out in bold style on the Emmys red carpet

"Queer Eye's" Jonathan Van Ness, from left, Bobby Berk, Tan France, Antoni Porowski and Karamo Brown arrive for Monday's Emmy Awards.
(Nina Prommer / EPA-EFE / REX / Shutterstock)

Judging by the nontraditional formal wear donned by leading men Ricky Martin, Justin Hartley, Antonio Banderas and the hosts of “Queer Eye,” a muster of peacocks has descended upon the 70th Primetime Emmys.

Although the peak-lapel tuxedo in impenetrable black is a staple of the red carpet, men’s sartorial selections at the Emmys on Monday were anything but staid. Several went with hues of white, midnight blue, olive green, red and also a plaid print.

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Claire Foy wins for outstanding lead actress in a drama series

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Rachel Brosnahan feels like ‘the new kid at the party’ backstage at the Emmys

"The Marvelous Mrs. Maisel" star Rachel Brosnahan with her award for lead actress in a comedy backstage at the Emmys
(Allen J. Schaben / Los Angeles Times)

Rachel Brosnahan’s appearance backstage in the Emmys press room was short but charming. In her flowing crimson dress and bright red lipstick, she conjured a sense of 1950s glamour consistent with her show, “The Marvelous Mrs. Maisel.”

“This is very, very new — I feel like the new kid at the party,” she said of her lead actress in a comedy win. She tilted her head to the side, appearing demure and a bit shy.

As to why her Amazon series has resonated with audiences, she said: “The show is equal parts fantasy and reality. It has beautiful clothes and sets. It’s aspirational too; it’s about a woman reinventing herself ... and it’s never too late to do that. And it’s funny and filled with joy at its core — and that’s something we need a lot more of right now.”

Playing Miriam “Midge” Maisel, a 1950s Jewish housewife who enters the world of stand-up comedy, wasn’t anything Brosnahan could have possibly imagined for herself.

“Truthfully, this is a dream I didn’t know I had. If you told me [this] five years ago, I would have told you to sit down,” she said. “But I’ve always wanted to play complex and grounded women. And this is an opportunity to do that.”

And with that, Brosnahan pivoted and elegantly made her way off the small stage, her red gown trailing behind her.

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Stephen Daldry wins for outstanding directing for a drama series

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Tiffany Haddish sidesteps diversity question backstage: ‘I didn’t go to college for that’

Tiffany Haddish arriving at the 70th Primetime Emmy Awards at the Microsoft Theater in Los Angeles, CA.
(Allen J. Schaben / Los Angeles Times)

Tiffany Haddish arrived backstage resplendent in a custom-made rainbow-striped dress inspired by the colors of the Eritrean flag, an homage to her late father’s heritage. (“This is the only one that’s out there right now,” she said. “This is an original.”)

“Hi everybody,” she greeted the crowd of journalists.

Haddish was announced as the winner of the guest actress in a comedy series award last week at the Creative Arts Emmys for her “Saturday Night Live” hosting gig.

“It was hard to believe that you were actually the first African American woman to host ‘SNL...’ ” one reporter began.

“I wasn’t the first African American woman, I was the first African American female stand-up comedian,” Haddish corrected.

The reporter continued by suggesting the hosting gig was responsible for Haddish’s quick ascent to stardom.

“Girl, my career had took off when I got onstage for the first time,” Haddish said, politely but firmly. “I knew I was going to be something; I just didn’t know how long it was going to take. And it’s been almost 20 years.”

However, she admitted that it was difficult finding a role model to glean advice from regarding her “SNL” hosting job.

“I was doing my research when I found out they wanted me to host, and I wanted to ask advice from other women who’ve done it,” she said. “I was looking for female comics who’ve done it that I could relate to and I couldn’t find any. I even called Whoopi Goldberg and was like ‘OK, so tell me what it’s like.’ She was like, ‘… You the first.’ I was like, ‘What? ‘“

It was also difficult adjusting to the pace of “SNL,” Haddish said. Though she’d come prepared with ideas, “this is a machine that’s been happening, and I had to, like, let go and let them guide me,” she said. “I just made sure my monologue was on point because I’m a stand-up comedian first, and I just needed to make sure that was the main thing. And I did that.”

Haddish was also asked about this year’s record-breaking diversity among her fellow nominees and whether she had ideas for how progress could be furthered.

“Girl, no, I don’t know how to do that,” she said. “I didn’t go to college for that...If you was asking me how to structure a joke, I could help you with that part. But what you talking about right now, I don’t know. I don’t know. All I know is how to do my job. That’s somebody else’s job, I don’t know how to do that.”

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Halftime report: Here’s which networks have the most wins

Rachel Brosnahan accepts the lead actress in a comedy series award for "The Marvelous Mrs. Maisel."
(Allen J. Schaben / Los Angeles Times)

It may not be Sunday Night Football — after all, that’s why the Emmys are on a Monday this year — but there’s still plenty of action to recap at the 70th Primetime Emmys.

With the show more than halfway over, it’s time to take a closer look at where the networks currently stand.

For the first time ever, Netflix amassed the most Emmy nominations with 112 compared with HBO’s 108. However, the latter put up a good fight at the Creative Arts Emmy awards, winning 17 compared with Netflix’s 16.

As of the award for writing in a drama series award, Netflix and HBO are currently tied with 21 wins total. FX follows with 10 total wins, followed by NBC with 15, Amazon Prime Video with 7, Fox with 3 and CBS with 2. ABC has one thus far.

Which network do you think will come out on top?

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Joe Weisberg and Joel Fields win for outstanding writing for a drama series for ‘The Americans’

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Glenn Weiss won an Emmy — and his girlfriend said yes to his marriage proposal

Glenn Weiss used his time onstage, accepting the variety special directing award for this year’s Oscars, to propose.

And just like that, the Emmy Awards are interesting again!

While accepting his Emmy for directing for a variety special for his work on “The Oscars” — his 14th overall — Glenn Weiss went off script and gave the ceremony its first-ever marriage proposal. (That’s assuming you don’t count Kit Harington popping the question to Andy Samberg at the 2016 Emmys, which, honestly, we don’t.)

“You wonder why I don’t like to call you my girlfriend,” Weiss said, addressing his girlfriend, Jan Svendsen, from the stage. “It’s because I’d like to call you my wife.”

The crowd was shocked at the development — “SNL” star Leslie Jones was slack-jawed — and as Svendsen made her way to the stage, Weiss joked, “I didn’t ask yet!”

“This is the ring that my dad put on my mom’s finger 67 years ago,” Weiss declared to his soon-to-be fianceé. “And to my brothers and sisters, I didn’t swipe it. Dad knows I have it.”

Check out the video below to see the live response to Weiss’ big moment.

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Thandie Newton wins for outstanding supporting actress in a drama series

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Peter Dinklage wins for outstanding supporting actor in a drama series

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Emmy winner Bill Hader: ‘I legit don’t know what I said up there’

Bill Hader accepts the Emmy for lead actor in a comedy series for "Barry."
(Brian van der Brug / Los Angeles Times)

Clutching an Emmy statuette in his hand, Bill Hader reflected on what he called a “surreal” win for lead actor in a comedy in HBO’s “Barry.”

In “Barry,” a series that also marked Hader’s directorial debut, the actor plays a depressed professional killer who attempts to make a life change after attending acting classes.

“I legit don’t know what I said up there,” he said laughing. “I had to ask my publicist.”

Hader admitted he wasn’t really expecting to receive the honor, thinking the award would go to Ted Danson of “The Good Place” or “Atlanta” star and creator Donald Glover.

Hader took time to acknowledge his “Barry” costar, Henry Winkler, who won his first Emmy for supporting actor in a comedy. “Just seeing him up there, it was great,” Hader said.

“You’re only really as good as the company you’re in,” he added. “Henry would push me in a way to give that performance and vice versa.”

Hader also reflected on the series’ premiere in March.

“My dad gave me a hug and said this is always what you wanted to do,” Hader said. “Directing and writing and acting -- that meant a lot.”

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Henry Winkler celebrates the end of a lengthy Emmys drought backstage

Henry Winkler onstage after winning for supporting actor in a comedy series award for "Barry."
Henry Winkler onstage after winning for supporting actor in a comedy series award for “Barry.”
(Brian van der Brug / Los Angeles Times)

Henry Winkler might be the feel-good win of the night at this year’s Emmys.

The actor-comedian, who plays the narcissistic acting teacher Gene Cousineau on HBO’s “Barry,” was 27 when he starred as Fonzie in the sitcom “Happy Days.” He’s now 72 -- and in all those years, with six Emmy nominations, he’s never won one, not until tonight, when he walked away with the supporting actor in a comedy award.

“And now I’m standing here in front of you with her,” he said backstage in the press room, holding up his golden statue.

“It feels wonderful,” he added before joking that in anticipation of the shock of winning tonight, “I was wearing rubber pants just in anticipation, and I used a little powder, but I had control. I think I had the longest drought between nominations than anyone else in the academy.”

But now that the drought is over, Winkler remains grounded, he says.

“It feels unbelievable, but here’s the truth,” he said. “On Wednesday, in two days, we start the second season of ‘Barry.’”

Winkler didn’t really write his acceptance speech 40 years ago, as he had joked on the podium. “That was another speech,” he said.

On working with comedian Bill Hader, he said, “When he is producing and directing, he is not a comedian, he is focused and serious.”

Before exiting the stage, Winkler gave some parting advice for young, up-and-coming actors and comedians: “Be yourself, be honest about your ability, and prepare so that you are not a flash in the pan.”

For Winkler, with 45 years in the industry under his belt, that advice has obviously paid off.

Henry Winkler made it to the stage to collect the first Primetime Emmy of his celebrated career.

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Teddy Perkins from ‘Atlanta’ is at the Emmys, but no one knows who’s under the mask

Although FX’s “Atlanta” has yet to win at the Emmy Awards, a particular character from the comedy series did turn some heads during the ceremony Monday.

Eagle-eyed viewers noticed that Teddy Perkins — a character introduced in a nightmarish episode in the latest season of the series — was present in the audience in completely creepy fashion.

But the question, ultimately, is who was wearing the makeup or mask concealing Perkins at the awards? The original assumption was that it was “Atlanta” star Donald Glover donning the Perkins persona, but a quick camera cut during the show suggested that Glover could not have gotten out of the disguise so quickly.

So who’s under the mask? Could it be costar Lakeith Stanfield? The internet has some theories about it, of course.

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Glenn Weiss wins for directing for a variety special

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John Mulaney wins for writing for a variety special

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Kenya Barris of ‘black-ish’ feels the difference in this year’s Emmys

Kenya Barris and Rainbow Edwards-Barris at the 70th Emmy Awards at Microsoft Theater.
(Neilson Barnard /Getty Images)

During a commercial break at the Emmys, comic and “Daily Show” alumni Hasan Minhaj and “black-ish” star Marcus Scribner took a lap around the Microsoft Theater lobby. Both couldn’t take two steps without being stopped for selfies.

But it was Kenya Barris, creator of the Emmy-nominated “black-ish,” who was in the highest spirits. The veteran writer, who recently announced he was taking his talents to Netflix ,said he was “so happy to be here.”

“And this year, I don’t give a [expletive], so I’m screaming [stuff] from my seat!”

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Onstage at the Emmys, Betty White can’t believe we still love her after all these years

Kate McKinnon, right, shows her appreciation to Betty White at Monday's Emmy Awards.
(Brian van der Brug / Los Angeles Times)

It’s incredible that I’m still in this business and you are still putting up with me.... I wish they did that at home.

— Betty White, 96, at Monday’s Emmy Awards

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The best- and worst-dressed from the 2018 Emmys

Regina King arrives at the 70th Primetime Emmy Awards at the Microsoft Theater in Los Angeles.
(Marcus Yam / Los Angeles Times)

There are still plenty of winners to be announced at the 70th Primetime Emmy Awards, but as far as the fashion goes, the winners (and losers) have already been decided.

So how did A-listers like Regina King, Kristen Bell and Alexis Bledel fare? Check out the full gallery from The Times’ fashion team on the best and worst dressed from the gold carpet and see if you agree.

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Darren Criss wins for lead actor in a limited series or movie

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Emmy nominee Tony Shalhoub: ‘It’s just such a joyous night’

Tony Shalhoub and Brooke Adams arrive at the 70th Primetime Emmy Awards.
Tony Shalhoub and Brooke Adams arrive at the 70th Primetime Emmy Awards.
(Marcus Yam / Los Angeles Times)

Making his way through the Microsoft Theater lobby during a commercial break at the Emmys, “The Marvelous Mrs. Maisel” star Tony Shalhoub could not contain his excitement about the recognition the Amazon series had already received only an hour into the Emmys broadcast on Monday.

“To have eight episodes elicit this much recognition is just amazing,” the Emmy nominee told The Times. “It was no surprise to me that Rachel, Alex and Amy would win big tonight. It’s such a joyous night.”

“Our good fortunes keep growing,” he added. “We did well at the Golden Globes. But the Emmys so far... this is big. I’m sure we’ll be celebrating at the Amazon party later tonight.”

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Merritt Wever’s Emmy acceptance speech was short, but epic compared to her first one

Merritt Wever won supporting actress in a comedy series five years ago and delivered maybe the greatest speech of all time.
(Lawrence K. Ho / Los Angeles Times)

Merritt Wever took home her second Emmy Award on Monday for supporting actress in a limited series for her work on “Godless” and delivered a lovely speech.

But nothing Wever could have said could hold a candle to the speech she gave after her shocking Emmy win in 2013 for supporting actress in a comedy for “Nurse Jackie.”

In retrospect, Wever said that she was scared at the time, because the win was so unexpected, and had she had her wits about her, she would have thanked Showtime and Edie Falco.

Alas, Wever couldn’t find her words on that night in 2013 and instead delivered a comically succinct speech.

Thanks so much. Thank you so much. I gotta go. Bye.

— Merritt Wever, 2013

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Ryan Murphy wins for outstanding directing for a limited series, movie or dramatic special

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Regina King wins for outstanding lead actress in a limited series or movie

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Betty Gilpin of ‘GLOW’ goes looking for family, finds Tracey Ullman during the Emmys

Betty Gilpin arriving at the 70th Primetime Emmy Awards in Los Angeles.
(Marcus Yam / Los Angeles Times))

While the rest of us were watching a commercial break during the Emmys, “GLOW” star Betty Gilpin roamed the crowded lobby.

“I need to find my brothers,” she told The Times as she passed, in the slightly panicked tone of someone overwhelmed by the unique brand of chaos that comes with the combination of red carpets, rope lines and awards shows.

“This is a lot,” she said. Just moments ago, Gilpin had lost out in the supporting actress in a comedy category. On her journey to find her siblings, Gilpin stopped to pose for selfies with a few admirers before stopping to chat with Tracey Ullman.

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‘Black Mirror: USS Callister’ wins for outstanding writing for a limited series, movie or dramatic special

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Jeff Daniels wins for outstanding supporting actor in a limited series or movie

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Merritt Wever wins for outstanding supporting actress in a limited series or movie

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Rachel Brosnahan wins for outstanding lead actress in a comedy series

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Bill Hader wins for outstanding lead actor in a comedy series

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Colin Jost and Michael Che offer a mixed bag to open the Emmys

Colin Jost, left, and Michael Che in their opening monologue at the Emmy Awards.
(Brian van der Brug / Los Angeles Times)

The 70th Primetime Emmy Awards at the Microsoft Theater started with a celebration. The mystery of diversity in television has been solved, y’all!

Kate McKinnon, Kenan Thompson, Kristen Bell, Tituss Burgess, Ricky Martin, John Legend – and not Andy Samberg – all sang, danced and reveled in the fact that the Television Academy nominated the most diverse group of nominees ever.

Shockingly, diversity issues in Hollywood have not actually been solved, and soon the show was turned over to hosts Colin Jost and Michael Che.

The “Saturday Night Live” co-head writers lobbed largely inoffensive jokes to fill out their monologue. Nazis are bad and Roseanne is bad and diversity has always been a problem and Netflix has a lot of shows and even more money.

It was all fine. They’re fine hosts. Everything is fine.

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Alex Borstein wins for outstanding supporting actress in a comedy series

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Go inside the Emmys with The Times

Want the best seat in the house for the Emmys? Look no further.

Los Angeles Times entertainment reporters Yvonne Villarreal and Tre’vell Anderson are in the room where it happens at the Microsoft Theater during the 70th Emmy Awards tonight. Follow them on Twitter at @villarrealy and @TrevellAnderson to get the latest updates on the big moments and what you didn’t see on TV.

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Kirsten Dunst, Jesse Plemons are among the stragglers before the Emmys begin

Emmy statues before the 70th Emmy Awards at the Microsoft Theatre in Los Angeles.
(Valerie Macon / AFP / Getty Images)

Unable to reach their seats inside the Microsoft Theater by the Emmys’ 5 p.m. start time, Jesse Plemons and fiancée Kirsten Dunst hung outside in the lobby with the other latecomers until the next commercial break.

“I didn’t think we were that late,” Dunst told The Times. “You’d think they’d have the courtesy to let us get a drink.” (The concessions at the theater don’t open until 5:10 p.m.)

“There was a lot of people in the rush to get in,” added Plemons, an Emmy nominee for his role on “Black Mirror.” “It was so hot outside too.”

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Amy Sherman-Palladino wins for outstanding directing for a comedy series

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Amy Sherman-Palladino wins for outstanding writing for a comedy series

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Henry Winkler wins for outstanding supporting actor in a comedy series

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Sandra Oh’s parents score first victory of the evening: Meeting Milo Ventimiglia

Lead actress in a drama nominee Sandra Oh has her Korean immigrant parents in tow on the red carpet and they met a very special actor.
(Marcus Yam / Los Angeles Times)

Sandra Oh made history when she scored a nomination for lead actress in a drama, becoming the first woman of Asian descent in Emmy history to achieve the feat.

Oh’s parents, Korean immigrants, are accompanying her to the ceremony Monday and already scored a big win on the red carpet.

According to Times writer Yvonne Villarreal, Oh was eager to introduce Milo Ventimiglia to her parents and was successful in her mission.

Enjoy these photos of Oh’s parents meeting everyone’s favorite “This Is Us” doomed dad.

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RuPaul, Jenifer Lewis and more get political on the Emmys red carpet

Jenifer Lewis reps Nike and, by extension, Colin Kaepernick on the Emmy red carpet.
(Marcus Yam / Los Angeles Times)

The red carpet is often rife with political messaging, with ribbons and pins appearing on a near-annual basis, but at this year’s Emmy Awards red carpet, some stars took things to another level.

“Black-ish” star Jenifer Lewis repped Nike and Colin Kaepernick on Monday, wearing a blinged-out red and black sweatshirt as a way to support the company that stood by the embattled quarterback.

Others on the carpet took a more subtle tack with their messaging. Emmy winner and “RuPaul’s Drag Race” host RuPaul Charles walked the carpet in a pristine white suit featuring a repeating black pattern of the Statue of Liberty.

RuPaul Charles on the red carpet.
(Allen J. Schaben / Los Angeles Times)

And still others went even more explicit with their activism. Actress Sarah Sophie Flicker, wife of “GLOW” director Jesse Peretz, rocked the carpet in a red dress, sporting a hand-written message on her bicep: “Stop Kavanaugh.”

Flicker also included the number for the United States Capitol switchboard for individuals interested in registering their thoughts on Supreme Court nominee Brett Kavanaugh.

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See Sterling K. Brown, Trevor Noah and more 2018 Emmy arrivals

The gold carpet is in full swing at the 2018 Emmys, and the celebrities are out in full force. See Sterling K. Brown, Trevor Noah and more famous faces, and check back for more of the latest arrivals throughout the evening.

Sterling K. Brown and Ryan Michelle Bathe arriving at the 70th Primetime Emmy Awards at the Microsoft Theater in Los Angeles.
(Allen J. Schaben / Los Angeles Times)
Angela Sarafyan arriving at the 70th Primetime Emmy Awards at the Microsoft Theater in Los Angeles.
(Allen J. Schaben / Los Angeles Times)
Trevor Noah arriving at the 70th Primetime Emmy Awards at the Microsoft Theater in Los Angeles.
Trevor Noah arriving at the 70th Primetime Emmy Awards at the Microsoft Theater in Los Angeles.
(Allen J. Schaben / Los Angeles Times)
Jenifer Lewis arriving at the 70th Primetime Emmy Awards at the Microsoft Theater in Los Angeles.
(Allen J. Schaben / Los Angeles Times)
Gaten Matarazzo arriving at the 70th Primetime Emmy Awards at the Microsoft Theater in Los Angeles.
(Marcus Yam / Los Angeles Times)
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Follow along with The Times live from the Emmys gold carpet

While you’re stuck at work or just dealing with the regular aches of Mondays, the TV elite are making their way down the gold carpet at the 70th Primetime Emmy Awards. And we’re reporting live from that sweltering red carpet — reapplying sunblock every so often — at the Microsoft Theater in downtown Los Angeles.

Follow @LATimesEnt on Twitter, @LATimes_Entertainment on Instagram as well as TV reporter Yvonne Villarreal on Twitter at @villareally to get all the latest action from the carpet.

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A look back at the highs and lows of the 2017 Emmy Awards

Donald Glover wins lead actor in a comedy series during the show at the 69th Emmy Awards.
(Robert Gauthier / Los Angeles Times)

The 2018 Emmy Awards have already made some history. Black actors swept the guest-acting categories for the first time ever, and “Jesus Christ Superstar” producers John Legend, Tim Rice and Andrew Lloyd Webber became members of the elusive EGOT club.

This follows the tone set by the 2017 Emmys, which also had its fair share of groundbreaking moments. “Atlanta’s” Donald Glover became the first black director to win an Emmy for comedy direction, “Master of None’s” Lena Waithe became the first black woman ever to win for comedy writing (she was also the first black woman ever nominated in the category) and Reed Morano became just the second woman to win for drama directing.

Ahead of the 70th Emmy Awards on Monday night (click here for everything you need to know), here’s a look back at some memorable moments from the 2017 ceremony.

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Why ‘Veep’ did not receive any Emmy nominations this year

There’s a good reason why “Veep” won’t be taking home a single Emmy on Monday night.

It’s not nominated for any awards.

And there’s an even better reason why “Veep,” which has amassed 12 Primetime Emmys in its first six seasons, went unacknowledged this year.

It wasn’t eligible.

Much like network stablemate “Game of Thrones” last year, “Veep” is sitting out the 2018 Emmy Awards due to an extended hiatus between seasons 6 and 7.

The Julia Louis-Dreyfus-starring political satire aired its sixth season last spring, with episodes straddling the Emmy eligibility period. Because enough of the episodes aired before the May 31, 2017, cutoff date, the season was included in last year’s awards — and did quite well for itself.

But don’t be mad at “Veep” for sitting out TV’s big night. Production on the seventh and final season was postponed after Louis-Dreyfus revealed that she had been diagnosed with breast cancer.

Everything’s on track for the 2019 Emmys, though, as Louis-Dreyfus has bounced back after treatment and production on Season 7 began in April.

Mark your calendars and expect “Veep” to return next spring. And it will almost certainly make its triumphant return to the Emmys next fall.

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Sarah Silverman and Trevor Noah toast rise of female TV directors at Variety and Women in Film nominees party

If it wasn’t enough to mingle with some of TV’s brightest stars, partygoers at the Variety and Women in Film shindig had a special bonus Saturday night: a performance by Australian pop sensation Troye Sivan.

The singer-songwriter congratulated the crowd both before and after his three-song set, saying: “If you’re here tonight, it means you’re either nominated for an Emmy, or at least you know someone who’s nominated for an Emmy, and that’s pretty ... cool.” Later, he added, “I hope you guys are all patting yourselves on the back. This is really an incredible night.”

Among the A-listers on the scene were Tiffany Haddish, Sarah Silverman, Trevor Noah, Ann Dowd, Sterling K. Brown, Darren Criss, Charlie Heaton, Jeffrey Wright, Betty Gilpin, Constance Wu, Jenna Dewan, Alice Eve, Samira Wiley, Laverne Cox, Karamo Brown and Jonathan Van Ness.

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Sterling K. Brown and Justin Hartley keep it in the ‘This Is Us’ family at pre-Emmy party

Sterling K. Brown, left, and Justin Hartley attend the 2018 Pre-Emmy Party hosted by Entertainment Weekly and L'Oreal Paris at Sunset Tower.
(Phillip Faraone / Getty Images for Entertainment Weekly)

Justin Hartley isn’t likely to be seen alongside Parker Bates or Logan Shroyer in an episode of the TV show “This Is Us,” nominated for drama series at this year’s Emmys. After all, the three actors play the same character, Kevin Pearson, but at different ages. Yet there they all were, together, at Entertainment Weekly’s Sept. 15 pre-Emmy celebration at the Sunset Tower Hotel in West Hollywood.

Spotting Hartley near the entry, Bates dashed over to say hello. Later in the party, Shroyer and Hartley posed for pictures together.

Nominated in the lead actor in a drama category for the same show, Sterling K. Brown could also be spotted with his childhood and teen counterparts, Lonnie Chavis and Niles Fitch. The hit show’s many other children turned up too, and included Faithe Herman, Eris Baker, Mackenzie Hancsicsak and Hannah Zeile.

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Emmy nominees Thandie Newton, Sandra Oh and Henry Winkler celebrate at BAFTA and BBC America party

Thandie Newton and RuPaul attend BAFTA Los Angeles and BBC America TV Tea Party 2018 at the Beverly Hilton hotel.
(Alberto E. Rodriguez / Getty Images)

Sandra Oh, star of BBC America’s “Killing Eve,” attracted more than a little attention at Saturday’s TV Tea Party event in Beverly Hills, staged by BAFTA (British Academy of Film and Television Arts) Los Angeles and BBC America. Oh, the first actress of Asian descent to be an Emmy nominee for a leading role in a dramatic series, chatted happily with all who stopped to wish her well.

Inside the Gardens at the Beverly Hilton hotel, party guests also showered congratulations and good wishes on the many Emmy nominees in attendance, including lead actress nominees Tatiana Maslany of “Orphan Black” and Thandie Newton of “Westworld” as well as actors such as Justin Hartley of “This Is Us,” Jared Harris of “The Crown,” Charlie Heaton of “Stranger Things” and Angela Sarafyan of “Westworld,” who all appear in Emmy-nominated shows.

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Netflix vs. HBO: Showdown set for the 2018 Emmy Awards

Claire Foy of Netflix's "The Crown," left, and Evan Rachel Wood of HBO's "Westworld" are up for actress in a drama at the Emmys on Monday.
(Kirk McKoy / Los Angeles Times, left; Myung J. Chun / Los Angeles Times, right)

With series including “The Sopranos” and “Sex & the City” leading the way in 2001, HBO led all networks in Primetime Emmy nominations for the first time in history that year, with a total of 94.

Its dominance would continue through 2017. But this year, with high-profile series such as “The Crown” and “GLOW” leading a pack of nominated shows, streaming service Netflix has dethroned HBO at its own game.

Netflix rolled up 112 nods this year — double what it had last year — compared to HBO’s 108.

One area where HBO still leads clearly is in nominations for a single show, “Game of Thrones,” which has 22 on its own. Netflix, on the other hand, has nominations spread over 40 shows, including in categories decided last weekend.

After last weekend’s Creative Arts Emmys, HBO leads the trophy total 30-26. Netflix has a chance to make that up at Monday night’s primetime show, where it has 35 nominations remaining, compared with HBO’s 28.

“Netflix is just flooding the market with programming,” Deana Myers, TV analyst with Kagan, a research arm of S&P Global Market Intelligence, told The Times on nominations day, July 12.

“HBO is very pleased with its 108 nominations, especially the wide range over so many categories,” the premium cable network said in a statement at the time. “We’re grateful to all our nominees for making this the eighth year we’ve had 100 nominations or more. We look forward to Sept. 17th.”

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Emmys preview: The five races we’ll be watching on television’s big night

The big four broadcast networks have the Emmys telecast locked up through 2026, by which time we’ll probably have some kind of algorithm that’ll recommend whether we should watch the ceremony. (“Because you watched ‘Stranger Things’ … you might want to see David Harbour win an Emmy!”)

Last year, “The Handmaid’s Tale” became the first streaming series to win the Emmy for drama. This year, Netflix earned the most nominations overall, passing the long-dominant HBO.

Will you need to add more shows to your queue after the Monday ceremony? Let’s take a look at the night’s most interesting races.

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Issa Rae, Milo Ventimiglia, Madeline Brewer talk about the awards and their post-Emmys plans

Milo Ventimiglia and Adina Porter attend the Audi pre-Emmy celebration.
(Charley Gallay /Getty Images)

Emmy Award nominees Milo Ventimiglia, Issa Rae and Jeffrey Wright were among the nominees and other guests who kicked off awards weekend at Audi’s pre-Emmys party on Friday night. Some guests calmed their pre-awards-show jitters with glasses of Champagne, but Ventimiglia said there was no need for the bubbles.

“I don’t necessarily look at a nomination or a potential win as the victory,” said the star of “This Is Us,” who is up for lead actor in a drama series at Monday’s awards ceremony. “I think the victory is being a part of a show that is contributing to the good of the world and having people watch it and have it impact their lives.

“So it takes the pressure off who’s going to win or who’s not going to win,” he continued. “It’s just kinda like, ‘You know what? There’s a free dinner. We’re all going to look nice in our tuxedos and beautiful dresses, so let’s just enjoy ourselves and have fun.’”

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Here’s why the Emmys are airing on a Monday

"Sunday Night Football" was NBC's most-watched program of the 2017-18 season, ranking third only behind "Roseanne" and "Big Bang Theory."
(Norm Hall / Getty Images)

And the award for most bizarre scheduling goes to — the 70th Primetime Emmy Awards!

For just the second time in recent memory, the Emmys are — yes — on a Monday. But why, you ask? Why risk viewership by moving away from the long-held standard? Why make attendees deal with commuter traffic to go to downtown Los Angeles?

The answer is (fairly) straightforward. For every year since 1995, the four major broadcasters have rotated the rights to airing the Emmys. That means once every four years, NBC gets custody of TV’s biggest night. The sole major snag is that the Emmys typically air on a Sunday in September, just a few weeks into NBC’s lucrative Sunday Night Football season, which has aired on the network since 2006.

Obviously, NFL owners aren’t going to reschedule their primetime game around an awards show, and obviously NBC is going to prioritize its most-watched regular season program. So NBC has tried out various alternatives to work around its pigskin problem.

Back in 2010, when Jimmy Fallon hosted, NBC pushed the Emmys up to air in late August before the start of the regular NFL season to avoid the conflict.

Then in 2014, NBC tried the same August scheduling tactic. The only problem? The Sunday NBC had its eye on – Aug. 24 – was already taken by the MTV Video Music Awards, which was also planning to broadcast from Los Angeles (albeit The Forum in Inglewood rather than the Emmys’ regular home of Downtown Los Angeles). So the Emmys were forced to move to a Monday for the first time since 1976. Thankfully, despite the odd scheduling moves, the Emmys actually delivered their second largest viewership in eight years (15.59 million viewers.)

So will there be a happy ending for this year’s Monday ceremony as well? Only time (and Nielsen) will tell.

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Hosting the first Emmys of the #MeToo era, Colin Jost and Michael Che have a lot to prove

70th Emmy Awards show hosts Colin Jost, left, and Michael Che talk to media Thursday in Los Angeles ahead of Monday's Emmy ceremony.
(Al Seib / Los Angeles Times)

Stephen. Seth. Jimmy. The other Jimmy. Emmy hosts tend to be recognizable by their first names.

On Monday it’s Michael and Colin’s turn to emcee the biggest night in television. In case you were wondering, that would be Michael Che and Colin Jost, anchors of “Weekend Update” on “Saturday Night Live,” where they are also co-head writers.

While the duo is not as well-known as their predecessors, NBC is betting the resurgent popularity of “SNL,” which is up for 21 Emmys this year, will help boost ratings — or at least stop the bleeding. Lorne Michaels, who’s reigned over the show for most of its 43-year history, will also executive-produce the ceremony for the first time since 1988, and is expected to draw from the show’s deep bench of talented alumni.

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What time are the 2018 Emmy Awards?

Primetime Emmy Awards co-hosts Michael Che, left, and Colin Jost.
(Al Seib / Los Angeles Times)

The Television Academy is hosting the 70th Primetime Emmy Awards on Monday, and we have all the pertinent details to prime you for television’s biggest night.

The ceremony will broadcast live on NBC from the Microsoft Theater in Los Angeles on Monday from 5 to 8 p.m. Pacific. You can thank — or blame — the peacock network’s Sunday Night Football franchise for bumping the show from its usual Sunday time slot. Red-carpet coverage on the network begins at 4:30 p.m. Pacific.

For everything else you need to know about the ceremony — from who’s hosting to who’s nominated to who has already won a Creative Arts Emmy — keep reading.

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Anthony Bourdain and Craig Zadan win posthumously at Creative Arts Emmys

Chef and TV host Anthony Bourdain and Oscars producer Craig Zadan were both honored with posthumous Emmys at Sunday’s Creative Arts Emmys ceremony.

Bourdain, who died June 8 at age 61, won two awards for his CNN travel and food series “Anthony Bourdain Parts Unknown,” specifically for outstanding writing for a nonfiction program and for outstanding informational series or special. (The series also won outstanding picture editing for a nonfiction program, outstanding short form nonfiction or reality series, outstanding sound mixing for a nonfiction program and outstanding sound editing for a nonfiction program.)

Bourdain had previously won four Emmys.

Zadan, who died Aug. 20 at age 69, won his first Emmy as part of the producing team behind NBC’s live production of “Jesus Christ Superstar Live in Concert,” which was named outstanding variety music or comedy special.

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Black actors make history with guest category sweep at Creative Arts Emmys

Samira Wiley holds the Emmy for guest actress in a drama series at the 2018 Creative Arts Emmy Awards.
(Nina Prommer /EPA-EFE / REX / Shutterstock)

The 2018 Creative Arts Emmys made history Saturday night when, for the first time, all four guest-acting awards went to black actors.

Ron Cephas Jones was recognized in the guest actor in a drama series category for his role as William Hill on NBC’s “This Is Us,” and Samira Wiley won the guest actress in a drama series award for her role as Moira on Hulu’s “The Handmaid’s Tale.” Comedians Tiffany Haddish and Katt Williams took home prizes in the guest actress and guest actor in a comedy series categories. She won for her “Saturday Night Live” hosting gig and he for his role as Willy in FX’s “Atlanta.”

The stars were all first-time Emmy winners, with Haddish making history two-fold: Her “SNL” appearance in November marked the first time a black female stand-up comic hosted the show since its inception in 1975.

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Go inside the Emmy Awards after-party preparations with these first-look photos at the Governors Ball

This year's theme for the Governors Ball immediately following the awards show is "Emmys Under the Stars."
(Al Seib / Los Angeles Times)

More than 28,800 individual LED lights suspended from the ceiling of the L.A. Live event deck make up a twinkling, multicolored expanse that evokes the feeling of being “under the stars.”

It’s the theme of this year’s lavish Emmy Awards after-party, the Governors Ball. To celebrate the 70th anniversary of the Emmy Awards, the annual event is forgoing a sit-down dinner in exchange for an interactive indoor/outdoor rooftop setting at the L.A. Live event deck.

Over three nights of the Governors Ball, more than 8,000 guests, including nominees, presenters and of course Emmy winners, will be able to mix and mingle among life-size Emmy statuettes and man-made and natural stars.

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Thousands of LED lights hang for the "Emmys Under the Stars" design element of the annual Governors Ball.
(Al Seib / Los Angeles Times)
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Emmys fashion: Braids, locs and natural hairdos are reinvigorating Hollywood style

"Insecure" creator and star Issa Rae attends the 77th Annual Peabody Awards Ceremony in May.
(Michael Loccisano / Getty Images)

If your idea of red-carpet hair is loose, side-swept waves, demure chignons and sleek center-parts, it’s time to broaden your scope. In the Hollywood scene, braids, locs and Afros of every circumference are fast becoming staples of the step-and-repeat set.

Expect to see prime proof of this curly aesthetic shift when the 70th Primetime Emmy Awards ceremony airs Sept. 17 on NBC. (The Creative Arts Emmys will be held this weekend, and FXX will broadcast those awards on Sept. 15.)

From “Atlanta” star Zazie Beetz to “The Handmaid’s Tale” actresses Samira Wiley and Kelly Jenrette, this year’s list of nominees is studded with black actresses who have embraced natural and textured hairstyles on the red carpet, for photo shoots and beyond.

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