Josh Rottenberg covers the film business for the Los Angeles Times. He was part of the team that was named a 2022 Pulitzer Prize finalist in breaking news for covering the tragic shooting on the set of the film “Rust.” He co-wrote the 2021 Times investigation into the Hollywood Foreign Press Assn. that led NBC to pull the Golden Globe Awards off the air while the organization underwent major reforms. A graduate of Harvard University, he has also written about the entertainment industry for the New York Times, Entertainment Weekly, Fast Company and other publications.
Latest From This Author
Behind the scenes of winning over Oscar voters, the fight for L.A.’s best screening rooms has become a critical — and costly — part of awards season campaigns.
The new thriller ‘September 5’ looks back at the 1972 Munich Olympics tragedy through the lens of ABC’s coverage, exploring the ethical dilemmas of crisis reporting.
Comedian Conan O’Brien will host the 97th Oscars on March 2, bringing his quirky humor and live TV experience to Hollywood’s biggest night.
In 2020, election-tracking organization Decision Desk HQ made waves by becoming the first to call the race for Biden. Here’s how it plans to handle another close race in 2024.
The Academy of Motion Picture Arts and Sciences is restructuring its archive and library, cutting 16 staff members as part of a strategic effort to consolidate preservation efforts.
In Screen Gab No. 154, we celebrate 10 years of watching (and rewatching) ‘Over the Garden Wall,’ catch up with FX docuseries ‘Social Studies’ and more.
The West Coast premiere of the play, drawn from interviews with survivors, draws heightened security as protests move across UCLA’s campus.
In the 150th edition of Screen Gab, we catch up with ‘Slow Horses,’ speak with the mind behind AppleTV+’s first Spanish-language series, ‘Women in Blue,’ and more.
The activist art collective Indecline projects graphic videos onto symbolic L.A. buildings, including the Academy Museum and the ArcLight Cinema, to call for a cease-fire in Gaza.
Oscar-nominated makeup artist Mike Marino used groundbreaking prosthetics in collaboration with the actor Sebastian Stan for A24’s “A Different Man.”