Mary McNamara is a culture columnist and critic for the Los Angeles Times. Previously she was assistant managing editor for arts and entertainment following a 12-year stint as television critic and senior culture editor. A Pulitzer Prize winner in 2015 and finalist for criticism in 2013 and 2014, she has won various awards for criticism and feature writing. She is the author of the Hollywood mysteries “Oscar Season” and “The Starlet.” She lives in La Crescenta with her husband, three children and two dogs.
Latest From This Author
With ‘Say Nothing’ and ‘The Diplomat,’ Rory Kinnear enters the pantheon of British villains. Our columnist explains why we never tire of the archetype.
Whether they want to sound like Elvis, Judy, Dylan, Springsteen or just a better version of themselves, celebrities turn to Eric Vetro for help. Here’s how he does it.
In Screen Gab No. 157, ‘Sherwood’ writer James Graham explains how he treats working people with care, plus more streaming recommendations for your weekend.
As men chant ‘Your body, my choice’ in the aftermath of the presidential election, the horror film’s handling of its female characters is bitterly disappointing.
The series’ optimistically civil campaign between the potential successors of President Josiah Bartlet no longer reads as liberal wish-fulfillment but full-blown fantasy.
With a middle-of-the-night press conference from the East Room of the White House, Donald Trump kicked off his effort to steal the 2020 election. It could happen again.
In Screen Gab No. 155, we offer election day viewing recommendations and talk baseball with the director of Netflix’s new docuseries ‘The Comeback.’
Sure, there should be a price for violating parking rules. But recovering a towed car in Los Angeles is a financial and logistical nightmare.
In Screen Gab no. 152, the showrunner of ‘Chicago Med’ drops in to discuss how the medical drama has evolved, ‘Chef’s Table: Noodles’ subject Evan Funke shares his pasta tips and more.
‘You get to 60 and it’s slim pickings,’ the actor says of the ‘beauty-based’ entertainment industry — but with the Apple TV+ spy drama, she keeps finding new ways to shine.