John Horn
John Horn is a former staff writer for the Los Angeles Times.
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The rooms are shipshape and even though you share a bathroom with strangers, you cant beat the price of $99 a night.
Angelina Jolie had directed only one film before she decided to adapt Laura Hillenbrand’s “Unbroken: A World War II Story of Survival, Resilience, and Redemption.”
From within the sea of cast and crew she emerged, looking far less like one of the world’s most recognizable movie stars than a random, plainly dressed member of the “Unbroken” production team.
Natasha Richardson, the luminous British actress from one of the world’s great acting families, whose performances ranged from the high-brow drama “The Handmaid’s Tale” to the lightweight comedy “The Parent Trap” and the Tony-winning Broadway production of “Cabaret,” died Wednesday.
A pair of 50-pound dumbbells rested on the ground outside of Antoine Fuqua’s trailer on the set of “The Equalizer,” which was filming at an abandoned Lowe’s hardware store several miles outside of Boston.
For David Dobkin, ‘The Judge’ was a way to break out of the comedy king mold. For Robert Downey Jr., it was a chance to play a cerebral, emotionally congested character.
Channing Tatum simply couldn’t come up with enough curse words fast enough, so Jonah Hill stepped into the vulgarity breach.
Very early in “Palo Alto,” you hear the voice of a judge issuing a teenager’s probation guidelines.
A little more than halfway through “Violet,” the musical revival that recently opened on Broadway, the show’s central characters gather in a Memphis dance hall.
When Paramount Pictures and Regency Enterprises were finishing up “Noah,” they looked to an unusual market to release the $130-million biblical epic: China.