THE ‘80s, CONT.
Michael Wilmington is amusing, yet inaccurate, when he claims “screenwriting in American movies (in the Easy ‘80s) . . . just isn’t there.”
When was it there? In the ‘30s? ‘40s? ‘50s? Were the pre-’80s devoid of “burped out” sequels celluloid? The 1932 Boris Karloff classic “The Mummy” was followed by at least a dozen sequels.
The “Easy ‘80s” also do not have a monopoly on “hilarious, madcap movies about daffy, goofy, sex-crazed guys.” Just go to any beach and yell “Surf’s up!” and it’s standing-room-only for Frankie and Annette.
If Wilmington truly believes that “the average major studio movie script has never--in the history of talking pictures--been as consistently bad as it is right now: as poorly written, as banally conceived, as frequently unoriginal or inept,” then I must give him a hand--”The Crawling Hand.”
CHARLES DAVIES
Los Angeles
More to Read
Only good movies
Get the Indie Focus newsletter, Mark Olsen's weekly guide to the world of cinema.
You may occasionally receive promotional content from the Los Angeles Times.