More ‘Doubt’
As an ardent supporter of both the Monday Evening Concerts and the Green Umbrella performances, I would like to add a contrary voice to the generous review of “Cezanne’s Doubt” given in your pages April 15 by Josef Woodard.
What he calls “hypnotic” I call “tedious.” What he refers to as “mesmerizing” I call “boring.” Indeed, the work seemed to me to epitomize empty pretension at its worst, musically speaking. And the video projection accompanying the music matched it in vacuity and lack of interest.
CURTIS HARRINGTON
Hollywood
More to Read
The biggest entertainment stories
Get our big stories about Hollywood, film, television, music, arts, culture and more right in your inbox as soon as they publish.
You may occasionally receive promotional content from the Los Angeles Times.