Actual Human Voices
In her Dec. 21 review (“Neil Diamond Veers From Hokey to Heartfelt”), Natalie Nichols writes: “Although high-tech, the concert felt slightly old-fashioned, due in part to the lack of video screens and the presence of a string quartet instead of synthesized strings.”
I join Nichols in decrying those pesky live musicians cluttering the Forum stage, although I must alert her to an even more alarming situation: In many plays and orchestral performances there are old-fashioned, unamplified human beings squawking everywhere! Let us all resolve to mechanize the performing arts in the brave new world of the 21st century.
NEAL McCABE
Los Angeles
More to Read
The biggest entertainment stories
Get our big stories about Hollywood, film, television, music, arts, culture and more right in your inbox as soon as they publish.
You may occasionally receive promotional content from the Los Angeles Times.