Finally, a flick worthy of Dr. Lecter
Evan Marmol
“Taking Lives” has floundered in the box office competing with more
novel, but definitely not more inventive films. Angelina Jolie and
Ethan Hawk are phenomenal in a movie that has rightfully been dubbed
as a “Silence of the Lambs”-quality feat. The narrative is nearly as
captivating, the plot twists are heart wrenching, and the suspense is
palpable.
Jolie portrays an eccentric criminal profile, a Heidegger that
prefers lying in graves and surrounding herself with relics and
photos of crime scenes rather than interacting with other people. A
romance blossoms between her and one of the potential victims, a
disconcerting proposition for this recluse, and this case becomes
personal with the ramifications reaching far beyond another
photograph and crime scene.
Hawk plays the enigmatic and peculiarly attractive beau playing
opposite the always nubile Jolie. His initial behavior draws
suspicion from the police officers that Jolie is assisting, but they
are quickly diverted by other factors, and his role is diminished
into initiating what becomes a romance with Jolie.
The plot is riveting, suspenseful and captures the full spectrum
of emotions that enables audience participation. Within 30 minutes
the audience is inextricably bound to the motives and the fruition of
a film that lulls a moviegoer into a state of hypnotism.
“Taking Lives” is the best film of its type since “Silence of the
Lambs” but it has had little competition in that genre. This film is
neither a masterpiece nor a consummate failure. It is a flick that
borders on truly superb and popcorn flick on many passes, but it
still earns the recognition and the patronage of audiences that
recall the emotions of films of its type. It is a must see for people
that recall the deluge of psychological thrillers that flooded the
audience post “Silence of the Lambs” and that failed at capturing the
nuances and power of the film they pitifully emulated. This film does
an admirable job and has earned the recognition that it has garnered.
‘Passion’ is a masterpiece
“The Passion of the Christ” transcends the category of
magnificence. It is an unabashed, unabated, historical account of the
most savage brutalities known to man.
James Caviezel portrays the most influential and polemic figure in
history as Christ. The trials and tribulations and abject torture are
captured with painful sentiment, most poignantly, the sobering
reality that one man suffered for a society that had forsaken him.
Despite this, the prevailing emotion is of hope and salvation in a
film that stills the voices of audiences and has captured the
attention of nearly 40-million viewers.
The supporting cast, namely that of the Virgin Mary is superb. Her
expressiveness evokes powerful emotions that resound in the hearts
and tears of the audience. As her pitiful face contorts with misery
and anguish, her emotions can drive the most impassive person to
genuine sorrow.
Detractors have referred to this film as a gory flick with the
intent to indoctrinate and convert the masses. Contrary to this, this
film is nothing more than an anomaly from the puerile and tepid films
that have bombarded modern theaters. It delves into emotions that we
are not wont and which many are starved.
This is not one of the lethargic and anemic films which afford the
patrons a mindless grin thanks to fatuous drivel and formulaic plots.
This film runs the gamut of betrayal, redemption and a profound
capacity for love. It is a more than a film, this is a historical
event that capsizes modern movies and has the sophistication and
effort that most films are bereft.
To amplify its intrigue, the entire film is spoken in Aramaic and
Greek, with subtitles, a remarkable devotion to the film by it’s the
players. The directors also made a painstaking effort to remain true
the bible and the works of Anna Catherine Emmerich, a recognized
mystic that has had scores of visions regarding religious events.
Overall, this is an unrivaled and consummate masterpiece will live on
for ages to come.
* EVAN MARMOL is Laguna Beach resident. He graduated from UC
Irvine with a degree in psychology and social behavior. He can be
reached at Evan_Marmol@hotmail.com.
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